Class

Saturday, March 28th, 1981

Verbatim, unedited transcript

CLASS at Wisdom's Goldenrod, Hector, NY

with Anthony Damiani (AD)

March 28, 1981

NEO-PLATONISM; LIBERATED ORDER OF GODS

with Appendices: 1981 0328 & 0403 Partial Transcript and Classnotes AB 1981 0328.

TOPIC: Neo-Platonism

SUBJECT: Liberated Order of Gods

SUBSUBJECTS: Emperor Julian, Samkhya, Harmonic Triad (Apollo, Mercury, Venus), Combined Dependent Origination, Nidana Chain, Emptiness

CONTENTS:

Reading/discussing T. Taylor (tr.), Two Orations of the Emperor Julian, "To Apollo and the Sun"

Is offspring of Jupiter a reference to physical Sun or God of Sun?

Apollo's connection to nine Muses; Muses' role in harmonizing universe; distribution of Muses through sensible world; correlation with Prajapatis in Sagittarius; each number has a Muse

Proclus' point of view expounded in Taylor's introduction to Orphic Hymns

Study of twelve liberated gods gives basis for translation into alchemy, nidana chain

Combined dependent origination as most fundamental tenet of Buddhism

Critique of Nagarjuna's interpretation of combined dependent origination; critique of C.C. Chang's presentation in The Buddhist Teaching of Totality

Appendix 1: 1981 0328 & 0403 Partial Transcript

Reference materials

Liberated gods as rational principles of World-Soul; rule over manifestation; lords of karma; distributors of intellectual needs of soul

Gods order experience to evoke soul's reason potential

Four triads

Liberated gods function in tanmatric realm (houses 10-11); mundane gods placed in twelfth house

Venus: presides over vasanas; lower Venus binds form and matter, coordinates production on Earth to celestial spheres; higher Venus binds unit soul to form-matter complex

Apollo: Sun in Aquarius; medium between Dhyani Buddhas and sensible man; vehicle for forms from fifth house; provides eye orb and understanding

Jupiter: two aspects; as Universal Soul; as first of liberated order, the dispenser of life

Vesta: preserver of karmic seeds; guardian of human essences; preserves continuity of soul's manifestation; soul of earth element

Reason-principles in eleventh house manipulate vasanas in twelfth house

Coarse view of emptiness correlated with mundane gods; subtle view of emptiness correlated with liberated gods

Ceres: nourishes soul with names and forms; becomes generic mentality in twelfth house

Neptune: presides over soul coming into manifestation

Minerva: victory over giants (cosmocrators); destroyer of fabricative activity; arranges descent into spheres

Appendix 2: AB class notes

Hymn to Apollo (Julian)

Jupiter in Sagittarius as supermundane king of light divine

Apollo (Aquarius) illumines mental world; Sun (Pisces) illumines sense world

Pisces as three material worlds; Capricorn, Aquarius as upper solar world

Solar/Harmonic Triad: Truth (Mercury/Inerratic), Beauty (Venus/Planetary), Symmetry (Apollo/Sublunary)

Venus as beauty

Mercury in Sagittarius: unfolds truth into light

Lower and higher Venus

BOOKS READ FROM OR REFERENCED:

  • Julian (Emperor of Rome), Thomas Taylor (tr.), Two Orations of the Emperor Julian; One to the Sovereign Sun, and the Other to the Mother of the Gods

  • Orpheus, Thomas Taylor (tr.), The Mystical Hymns of Orpheus

  • G.R.S. Mead, Orpheus

  • Kathleen Raine, George Mills Harper (eds.), Thomas Taylor, The Platonist: Selected Writings

  • Garma C.C. Chang, The Buddhist Teaching of Totality: The Philosophy of Hwa Yen Buddhism

DIAGRAMS appended to this transcript:

  • FIGURE 1981 0328-1. Samkhya Tattvas in Houses 10-12.

  • FIGURE 1981 0328-2-AB. Vesica of Liberated Order.

  • FIGURE 1981 0328-3-AB. Metaphysical Chart and Orders of Gods.

  • FIGURE 1981 0328-4-AB. Solar/Harmonic Triad.

  • FIGURE 1981 0328-5-AB. Idea of Man in Soul and Cosmos: First Quadrant.

Other diagrams also referred to are not with this transcript version. [Transcriber note: [diagram] means the speaker is referencing a diagram as he or she is speaking. If someone is drawing or writing, with audible sounds of chalk on a blackboard, I indicate this by [drawing] or [writing].]

AD PAPER read in class:

  • "The Greek Mundane Gods and the Vesica," 1978 0827C1-12R13 GRK mundane Gods.PDF.

NOTES:

  • Scan File 1981 0328-06R13 GRK Liberated Gods N.PDF, the partial transcript for 3/28 and 4/3/81, has been appended because we are missing audio files and it contains a diagram and a good summary of the whole class. All spelling, punctuation, and capitalization errors corrected in scan file.

  • AB class notes have been appended because they contain diagrams that are referred to and also because we are missing audio files for most of the class. All spelling, capitalization, and punctuation corrected, all abbreviations and astrological glyphs spelled out in AB class notes.

TRANSCRIBED Verbatim by IT 2022. In 2025, IT updates prefatory matter and audio file markers to match new REP audio. Archival verbatim transcript – V11a.

AUDIO FILES: 1981 0328a. [Note: We originally had two audio files for this class: a) 1981 0328a (formerly Audio File 1982 0227d), a 5½ minute fragment from the very beginning of the class; b) Audio File 1981 0328b (formerly 1981 0328b GODS AND DLL), an almost 7 minute fragment from somewhere in the middle of the class. In 2025, REP Studio consolidates these into one audio file, improves sounds quality, cuts out Dalai Lama at WG fragment (we have elsewhere).]



Highlight:

1981 03/28 at Wisdom's Goldenrod

Neo-Platonism; Liberated Order of Gods

[Audio File 1981 0328a Begins]

AD: --anybody behind.

VM: Nah, we pick him up years from now, doesn't matter.

AD: Years from now you may not have to pick him up.

VM: (Two/True).

S (very faint): Yeah.

VM: I guess I'm-- I'm getting used to it. I used to think that you had to move in a straight line but I learned that shortest distance between two points is not a straight line.

AD (simultaneously): It's a circle. (laughter)

S (amidst laughter): What did he say?

VM: Good luck.

AD (simultaneously): Better still a spiral.

VM: It's when space-time is curved--

S (very faint, possibly part of background): (Wait/Right) for him.

AD: Thank you (Vic).

TS (faint): I figured that was a slow ball.

[19 second pause with background student talking]

S: And did we have Two Orations?

VM (simultaneously, possibly part of background): You need to write (a book).

S (faint, possibly part of background): Oh here it is on you.

VM: Two Orations?

S (faint): Yeah.

VM: Is that the one that I have? What page is it Avery?

AS: 33. [Note: Reference is to pagination as it appears in the 1932 reprint, which is also available at www.sacred-texts.com/cla/toj/index.htm.]

S (simultaneously): It's on 33.

PD/S(?) (very faint): 33.

S (very faint): This exact (paper).

S: Hm? Not yet.

VM (simultaneously, faint): Ah yes, here it is.

S (simultaneously, faint): (Strategy.)

[11¼ second pause with background student talking/whispering]

VM: I hear crickets.

[37 second pause with background student talking/whispering]

AD: Time to start. Start reading the poem.

[Transcriber note: I am using Two Orations of the Emperor Julian; One to the Sovereign Sun, and the Other to the Mother of the Gods Julian (Emperor of Rome), translated/annotated/introduced by Thomas Taylor, London: Edward Jeffrey, Pall Mall, 1793.]

Julian, Thomas Taylor (tr.) [Two Orations of the Emperor Julian, p. lxi, AS reading]: "To Apollo and the Sun."

AS (faint): Well you want me to just read a few lines?

AD: Just read a few lines.

VM (simultaneously, faint): [couple words inaudible] (is a criminal).

Julian, Thomas Taylor (tr.) [Two Orations of the Emperor Julian, p. lxi, AS reading]:

"The Sun's resplendent deity I sing,

"The beauteous offspring of almighty Jove,

"Who, thro' the vivifying solar fount

"Within his fabricative mind conceal'd,

"A triad form'd of splendid solar gods;

"From whence the world's all-various forms emerg'd

"From mystic darkness into beauteous light,

"Perfect…"

AD (simultaneously): That's enough.

AS (faint): Yeah.

S (very faint): Do it again.

AD: Jeff, your interpretation.

JC: Ok.

AD: The Sun [JC simultaneously: He's-- he's singing to the--] (or/is one of) the deity I see.

JC: Right, he sings--

AD (simultaneously): Now you're saying he's singing about the God of the Sun?

JC: Yes, I mean, there are many levels of the Sun apparently. But he's--

AD (simultaneously): But, we have to start off with the Sun that we're looking at.

S: [one/two words inaudible] (things).

S (very faint): What are you looking at?

S (faint): [couple words inaudible]

JC: Well, sure, I mean, that's the only way we're going to find out about another one.

[students assent, faint]

AD: So he says he's going to sing to the God of the Sun. "The beauteous offspring of almighty Jove…" Now, who is he referring to?

JC: Jove is Jupiter.

AD: Jupiter. Yeah but who is he referring to as the offspring?

JC: I think (broadly/probably) the Sun here is what is referred to as Apollo in the supermundane order. That's the part where I saw the offspring.

AD (simultaneously): No, no. Jeff, I don't want you to do that.

JC: Ok.

AD: I want to go one line at a time.

JC (simultaneously): He's saying the Sun-- the Sun is the offspring of Jupiter.

AD: Sun is the offspring of Jupiter.

S (very faint): Uh-hm.

AD: Now--

JC: So it--

AD: Now what I'm asking is, who is the offspring? Is it the Sun or the deity of the Sun?

JC (faint): Well I would-- it's the deity.

AD: Now look at the line carefully. Who is he referring to?

JC: "The Sun's resplendent deity". [short pause] He's just saying the Sun God is suspended from Jupiter, fabricated--

AD (simultaneously): (He's) saying the God of the Sun is an offspring of Jupiter.

Julian, Thomas Taylor (tr.) [Two Orations of the Emperor Julian, p. lxi, AD reading]:

"Who, thro' the vivifying solar fount

"Within his fabricative mind conceal'd…"

AD (very faint): Well--

JC (faint): And (only--) He says flowing from Jupiter's contemplation.

AD (faint): So you're saying (within/that in) the Mind of Jupiter there arise in him this deity. First deity.

S (very faint): That's right.

[short pause]

S (very faint whisper): [couple/three words inaudible] (student laughs)

S (very faint): That's important.

[short pause, student laughs]

AD (very faint): But I think he's still saying that it's a God. It's--

(Side 1 Ends; formerly 1981 0328a)

[Note: We are missing one or more audio files here.]

(Side 2 Begins; formerly 1981 0328b)

AD: Everything is transformed into the sensible, and then we have the Intelligible empty of the total vision and it's all been actualized in the sensible. Is that the way you're thinking? Ok. Then I'll stand by what I said last night. Let's go on. Come on, we only got three-- three of these people, alright. I mean three of these guys. Any more quotes for Apollo?

AS (faint): Yeah there's one. Connection with the nine Muses.

AD (simultaneously): (What?) You people weakening?

AS: That connection with the nine Muses.

AD (simultaneously): Huh?

VM: Oh we'd love to see Apollo. (laughter) Sensible-- sensible representation of (it/him).

AS (simultaneously): (Right.)

S (faint): I like that.

BS (very faint): Yeah.

AD: Alright. You can go on and see Apollo.

[short pause]

AS: That connection with the Muses that he speaks of [few words inaudible]

AD (simultaneously): Yeah, that's a problem all by itself, I think that would be the Sun, the leader of the nine Muses.

AS: Yeah. Because see--

AD (simultaneously): Well, this is Jeff's--

AS: Yeah. Is he saying something like over here [diagram], if we have the Sun in-- in here, the Sun is receiving this Demiurgic power. And that those nine Muses though would refer here to the sensible world. [drawing] I don't know. And I don't really--

S (very faint): That's kind of a wrong chart.

S (very faint): (Try.)

JC/S(?): [few words inaudible]

AS (simultaneously): They seem to be s-- the Muses are spoken of I think also in conjunction with the harmonizing of the universe the same as Apollo. Like carry-- I don't know even if they carry out the orders of fate also. I think they're connected with this essay. But I was just-- But I have to look up the quote.

AD: Yeah, we worked it then a little bit in terms of the inspiration.

AS: Yeah.

AD: (Or a fairytale.)

JC (faint): (So I) remember [AS simultaneously: And als--] [couple words inaudible] in terms of the culture and apparent body.

S (very faint): Yeah.

AS: But they're really-- I mean they're almost-- I think they're correlated with those Pra-- like the nine Prajapatis are in the-- it's in Sagittarius that the nine Muses I think are-- are like the representation of those powers within the Sun. 'Cause the Sun is the vehicle of that Demiurgic power.

AD: You think they could be distributed through the sensible world, one (who's standing in a sphere)?

AS: There's something like that, I think they do distribute them. They-- I know they distribute them according to numbers also. Each of the numbers [student assents] has a Muse, (a sacred fourth), yeah. One, two.

S: [couple words inaudible]

AD (simultaneously): Alright, if you get a chance for next [AS simultaneously: Taylor.] week, read the introduction very carefully. I'm going to criticize it heavily. Jeff, come with your ammunition.

JC (faint): No, I'm afraid that I-- I don't think that they digress.

JC/S(?): It's not very clear.

AD: Well, if you have The Platonist, you could also read the introduction to the Orphic Hymns. [Note: See Kathleen Raine, George Mills Harper (eds.), Thomas Taylor, The Platonist: Selected Writings.] But, I think the introduction, most of us are familiar with the theory stated there. And they will be basically coming from Proclus. We will be expounding Proclus' point of view.

JC: Oh you mean on the various levels of the One? Jupiter and-- (They) put--

AD (simultaneously): Tries to give you a thumbnail sketch.

JC: Right. Down through Bacchus.

AD: Uh-hm.

AS: They're going with interpretation of the--

JC: Sure [few words inaudible]

AD (simultaneously): See what I really want to do is go around with all those Gods, alright, get the twelve Gods. Because that will give us a basis, as I said, for a translation into alchemical occultism, Buddhist occultism, the nidana chain, alright, all these things that I'm quite sure based on that. The nidana chain is very obviously based on that. As a matter of fact remember I told you that there's about fifty sutras and the Buddha says that through rational insight and inquiry, meditative equipoise, he got this insight into the combined dependent origination which he regards as the most fundamental tenet of Buddhism. And I'm going to argue with every one of the Buddhists up and down the line from Nagarjuna about emptiness on this point. Combined dependent origination I think has much deeper significations than the-- than to the consequences that are employed by the so-called-- you know, by Nagarjuna. Another book in that direction will be like The Totality Philosophy that-- what's that--

S: Chang.

AD: Chang. [Note: See Garma C.C. Chang, The Buddhist Teaching of Totality: The Philosophy of Hwa Yen Buddhism.] Because they reduce-- they reduce combined dependent origination to something that's not even available to us.

S (very faint): Yes they do.

GA: Because they would argue that the view of emptiness is necessary to-- to [few words inaudible]

AD: This is the view of emptiness. This is what makes for every material existent to be what it is in the flux of process and change.

GA (faint): And I was just saying that there's a good [one/two words inaudible]

AD: And I'm-- I'm going to say that this is a view that you can understand, what they're talking about you can't understand. Philosophically (I'm going to (make/hit) that) point.

GA (simultaneously): (Wait.) They say that here. (bit of laughter)

AS: On page 32 [few words inaudible]

GA (simultaneously): Let's-- (bit of laughter) You won't understand these things, or [one word inaudible] these things unless you study it with someone who knows it. Just like, you know, you (won't) believe this guy, you know.

AD: You get that from Nagarjuna?

GA (faint): I have [half/one word inaudible] you know, the Old and New Translation School, they're trying to give the-- (bit of laughter)

AD: I'm reading it.

GA (faint): He said something in here too, didn't he?

AD: Say that again.

GA (faint): You said he didn't.

AD: Well, it's anybody's slip, it's in my book. (AD laughs a bit)

GA (faint): (You sure?)

AD: Yeah. Just that middle (of) the Old School in hindsight.

GA (faint): Well there's two-- there's-- You sure? There's modern and ancient and they're [one word inaudible] within. They're two different articles. This-- this is the good one.

AD: These people are trying to convert me. (bit of laughter)

GA (faint): But, did you read the one where he said he felt like he was being patted on the head? It was on (an 8-track).

AD: Yeah, I--

S (faint): Yeah but--

GA (faint): Herbie knows.

AD: Alright. I think that-- I think this would be an easy way to get into their theory of-- It's successful because it's Western, you know, objective. You don't have--

[Audio File 1981 0328a ends abruptly. We are missing all other audio files for this class.]

1981 03/28 V11a: CLASS: Neo-Platonism; Liberated Order of Gods. Copyright 2022 Wisdom's Goldenrod p. iv